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Superhero fans are everywhere, from the teeming halls of Comic Con to suburban movie theaters, from young children captivated by their first comic books to the die-hard collectors of vintage memorabilia. Why are so many people fascinated by superheroes?
In this thoughtful, engaging, and at times eye-opening volume, Robin Rosenberg--a writer and well-known authority on the psychology of superheroes--offers readers a wealth of insight into superheroes, drawing on the contributions of a top group of psychologists and other scholars. The book ranges widely and tackles many intriguing questions. How do comic characters and stories reflect human nature? Do super powers alone make a hero super? Are superhero stories good for us? Most contributors answer that final question in the affirmative. Psychologist Robert J. Sternberg, for instance, argues that we all can learn a lot from superheroes-and what we can learn most of all is the value of wisdom and an ethical stance toward life. On the other hand, restorative justice scholar Mikhail Lyubansky decries the fact that justice in the comic-book world is almost entirely punitive, noting extreme examples such as "Rorschach" in The Watchmen and the aptly named "The Punisher, who embrace a strict eye-for-an-eye sense of justice, delivered instantly and without mercy.
In the end, the appeal of Superman, Batman, Spiderman, and legions of others is simple and elemental. Superheroes provide drama, excitement, suspense, and romance and their stories showcase moral dilemmas, villains we love to hate, and protagonists who inspire us. Perhaps as important, their stories allow us to recapture periods of our childhood when our imaginations were cranked up to the maximum--when we really believed we could fly, or knock down the bad guy, or save the city from disaster.
- Sales Rank: #1281749 in eBooks
- Published on: 2013-06-21
- Released on: 2013-06-21
- Format: Kindle eBook
Review
"Dr. Rosenberg has given readers a collection of insightful and thought-provoking writings that enhance the myths we have embraced. These essays expand our understanding of our society as well as our understanding of who we are." -- New York Journal of Books
"OUR SUPERHEROES, OURSELVES is a fantastic collection of well developed studies and topics."
Ideas like Bullets
"This is a focused effort that advances understanding of comics from a psychological perspective. While the editors make it clear that the book will not provide any definitive answer, the wide-ranging chapters push scholars to investigate superheroes and supervillans as cultureal evidence about who we were in the past and are today. These two books are important works in a burgeoning field." -A.W. Austin, Misercordia University, CHOICE
About the Author
Robin S. Rosenberg, Ph.D. is a clinical psychologist and author. Dr. Rosenberg writes college-level psychology textbooks and enjoys using superheroes and their stories to illustrate psychological phenomena. She blogs for Huffington Post and Psychology Today and has been featured in various media including the Financial Times, NPR, Boston Phoenix, LiveScience, Philadelphia Inquirer, special features on superhero DVDs, and documentary films. She is editor of The Psychology of Superheroes and author of What's the Matter with Batman? An Unauthorized Clinical Look Under the Mask of the Caped Crusader.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Bland, boring, lame social commentary, with pretensions toward illuminating the nature of superheroes and ourselves.
By John V. Karavitis
What a terrible letdown. The quality of the writing is terrible (does someone actually claim they edited these essays? Really??); the focus is more on social commentary than bringing psychology and psychiatry to bear on superheroes and thus, by extension, human beings; and there are typographical errors galore. For a book published by the Oxford University Press, I expected more, and got very little. I do believe that the End Times will be known when a publishing house like Oxford Univ. Press starts producing pablum like this. As noted after the title page, Oxford Univ. Press is a dept of the Univ. of Oxford, and "It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide." Not this time it doesn't. MISSION FAILURE.
This collection of essays, edited by and contributed to by Robin S. Rosenberg, of the Dept. of Psychiatry at UC-San Francisco, is broken up into two parts. Part I is "Our Relationship with Superheroes", and Part II is "The Humanity if Superheroes." Each part has five essays, each essay is about ten pages long, and there are endnotes after all but one essay. Given the dozens of endnotes after almost every chapter, you would think that this would have been a stellar collection of essays. So sad.
In the Introduction, editor Robin S. Rosenberg explains that the issues covered by these essays "are about psychological matters that relate superheroes to ourselves", that is, how are superheroes both different from and similar to ourselves? To that end, Ms. Rosenberg asks "Who better to discuss such psychological matters than psychologists?" Too bad these essays strayed from this mission statement. I've seen better writing in magazines like "Psychology Today". For the most part, the question was "Where's the psychology?"
Robin S. Rosenberg's "Our Fascination with Superheroes" notes how superheroes inspire us, how superhero stories "call us back to our youth, to a time when right and wrong seemed simpler." Too bad her writing was more nostalgia and social commentary than an application of psychology to the subject matter. I was uninspired, and wished for someone to rescue me.
David A. Pizzaro and Roy Baumeister's "Superhero Comics as Moral Pornography" notes how the superheroes always win by overcoming supervillains who outnumber them, and that the real world doesn't work that way. Thus, superhero comics are like a form of "moral pornography". Wow. Okay.
Lawrence C. Rubin's "Are Superhero Stories Good for Us?" uses his experiences using superheroes in his therapy sessions with children, and tried to tie this in with ideas about modern mythology. This rambling essay almost made me stop dead in my tracks and give up on the entire collection.
Peter J. Jordan's "Emotions in Comics" actually stayed true to the mission statement. He noted that the silver age of comics saw superhero characters being imbued with a range of human emotions, and he looked at between-person and within-person emotional variation, and identified pride and shame as powerful drivers of superhero behavior. Not bad, but nothing really substantial.
Elizabeth Behm-Morawitz and Hillary Pennell's "The Effects of Superhero Sagas on Our Gendered Selves", well, the title should tell you what to expect, eh? There are stereotypical images of female superheros in comics, and these might negatively affect both male and female readers. Okay. They're COMIC BOOKS, of course you're going to see exaggerated and stereotypical characters, were you expecting writing on the level of Tolstoy's "Anna Karenina?" And I seriously doubt that anyone's self-esteem is damaged, male or female, by reading them. THEY'RE - COMIC - BOOKS!!!
Travis Langley's "Our Superheroes, Our Supervillains" actually DID hew to the mission statement. Mr. Langley applied the Big 5 factor model of personality to compare how comic book readers see themselves, their superheroes, and supervillains. Real data from a real on-going research project, along with weaving the definitions of the Big 5 personality factors with the idea of superheroes and supervillains. Perhaps the one redeeming essay in this collection.
Robin S. Rosenberg and Ellen Winner's "Are Superheroes Just Supergifted" looked at intelligence in gifted children, and whether nature or nurture was responsible. Okay, I liked it. And the authors apparently had no quarrel with the concept of IQ, as did Robert J. Sternberg in "How Super Are Superheroes?" Mr. Sternberg apparently doesn't think much of the idea of IQs and IQ testing. Funny how there could be two essays in this collection with such opposing views on this particular topic. (FYI, Mr. Sternberg, the effects of the various kryptonites depend on which incarnation of Superman you are reading, or watching on TV.)
Gary N. Burns and Megan B. Morris's "The Very Real Work Lives of Superheroes" looked at the effects on superheroes of having a real daytime job in addition to being a superhero (hint: It's stressful!). They looked at Maslow's hierarchy of needs and the issue of role conflict. Not bad, but I've seen better.
Mikhail Lyubansky's "Seven Roads to Justice for Superheroes and Humans" looked at different definitions of justice. I thought that this was supposed to be about psychology, eh?
For a book about psychology, with psychologists and psychiatrists as contributing essayists... well, someone should have their heads examined. And as noted at the beginning of this book review, there were many typographical errors scattered throughout this book. All in all, VERY disappointing, and I cannot recommend that anyone waste any time with this book.
3 of 3 people found the following review helpful.
Gives a nice base for future research and mental health interventions
By PT
A great collection of writers in the field of psychology, counseling, mentoring, and pop culture. The therapeutic utility of superheroes is noted in the chapters as well as exploration of humanistic themes. A short, great read for anyone who enjoys the superhero genre, works in the mental health field, and/or is wanting to conduct research on superhero therapy effectiveness. The book is more essay format and lacks more empirical support for content & analysis (though it should be noted that psychological research with superheroes is sparse).
3 of 4 people found the following review helpful.
Could have been better
By Ed Battistella
This was a bit of a disappointment for me. The idea of a diverse group of scholars--psychologists--exploring the meaning of and psychology superheroes had a great appeal its organization into a set of essays on our relationships with superheroes and a set on the superheroes themselves makes sense. A handful of movie-related characters seem to dominate the discussion: Spider-man, Batman, Iron Man, and the volume as a whole suffers from unevenness. While there are some intriguing ideas and a couple of gems, (David Pizarro and Roy Baumeister's ideas about our attraction to moral evaluation, for example, and Travis Langley's description of the ERIICA survey, and Robin Rosenberg and Ellen Winner's essay on superheores as gifted children), for the most part the authors seem to be struggling to find something to say and a voice to say it in. Some essays simply view superheroes through the lens of a particular subdiscipline or concept (organizational psychology, gender studies, Maslow's hierarchy, a typology of justice) without really illuminating either the discipline or the subject matter.
Still, all of the essays have something to offer, but there is too much well-trod ground (the rise of emotions in comics, for example, and the immigrant myth underlying Superman, though it is given a new relevance in Lawrence Rubin's essay) and some conclusions seemed to be tossed off too glibly (the relation between superheroes and body image satisfaction). It's the sort of book that makes me want to write in the margins, though of course a true fan would never do that.
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